![[INTERVIEW] 82-year-old Anny Min defies age, draws romance cartoons 3 Cartoonist Anny Min shows her drawings at a cafe in Seoul, Monday. Korea Times photo by Park Jin-hai](https://newsimg.koreatimes.co.kr/2025/03/11/6cf602de-c07b-44da-b8c6-af6a4821d6d6.jpg)
Cartoonist Anny Min reveals her drawings at a restaurant in Seoul, Monday. Korea Occasions photograph by Park Jin-hai
At 82, Anny Min, whose actual identify is Min Shin-sik, continues to captivate readers along with her elegant pen strokes and exquisitely delicate pencil drawings, proving creativity is aware of no age restrict. A pioneering determine within the Korean cartoon scene for the reason that Sixties, Min stays as enthusiastic as ever, now connecting with a brand new era as a YouTube content material creator.
Over six a long time, her hand has given life to tons of of romance cartoons.
„Again then, there was no TV, no smartphone, no laptop at each family and even fairy story books have been uncommon. Cartoons have been the one dream for kids,“ she stated of her childhood in an interview with The Korea Occasions at a restaurant in Seoul, Monday.
Earlier than getting into elementary college, her father gifted her a Japanese version of „The Little Mermaid.“ The illustration of the mermaid — cradling the fallen prince, rising from the water and her hair flowing with the waves — was so breathtakingly portrayed that it sparked in Min a dream to create such artwork.
Difficult social prejudices
![[INTERVIEW] 82-year-old Anny Min defies age, draws romance cartoons 4 Anny Min in 1962 / Courtesy of the artist](https://newsimg.koreatimes.co.kr/2025/03/11/0485d01b-052e-4a4a-9275-6c77d4f06777.jpg)
Anny Min in 1962 / Courtesy of the artist
Pushed by a pure love for cartoons, she launched into her inventive journey, a path she readily admits was removed from straightforward.
„In these days, cartoons have been extensively considered a social unwell, an obstacle to tutorial pursuits. I used to be usually scolded for indulging in cartoons as an alternative of learning. Even in highschool, after I was drawing portraits of Hollywood actors, even my artwork instructor would chide me, saying, ‚Will drawing faces all day put meals on the desk?‘ Cartoonists have been thought-about a lesser type of artist in comparison with kids’s guide illustrators,“ she stated.
Regardless of these prevailing attitudes, Min started creating cartoons with paper and ink, utilizing a picket apple crate as her workspace. Following her father’s needs — who named her „Shin-sik“ (new fashion) to embrace the brand new — she embodied this spirit by forging her personal path as a comic book artist. Not like many aspiring artists who sought apprenticeships underneath established masters, she taught herself and boldly took her three-volume sequence, „The Lady Who Sells Desires,“ on to the Korea Kids’s Comics Self-Regulation Council, Korea’s censorship workplace on the time.
„The writer I met there took one take a look at my drawings and remarked on their distinctive fashion,“ she defined. „As a result of I pursued my creativeness independently, my paintings stood aside. Publishers, when reviewing submissions from new artists, might often determine their mentor based mostly on the stylistic similarities. My work, being born of my very own imaginative and prescient, was refreshingly distinct.“
Her debut work, „The Lady Who Sells Desires,“ mirrored the realities of the occasions and resonated deeply with many.
„It advised the story of a kid left behind by her mom, who departed to earn a dwelling. Years handed and the kid waited in useless. Sooner or later, she noticed a film poster that includes an actress who bore an uncanny resemblance to her mom. She then journeyed from her rural residence to the actress’s abode looking for her. Upon its launch, it turned an instantaneous sensation,“ she stated.
![[INTERVIEW] 82-year-old Anny Min defies age, draws romance cartoons 5 'White Sailboat' (1973) by Anny Min / Captured from Tumblbug](https://newsimg.koreatimes.co.kr/2025/03/11/f68d2f8c-41f5-440b-b792-a26fe44b2092.jpg)
„White Sailboat“ (1973) by Anny Min / Captured from Tumblbug
Navigating censorship
She has witnessed the ebb and stream of the Korean comedian guide business firsthand. A founding member of the Joint Publishing Firm, established by a collective of roughly 100 comedian artists, she was one in every of solely three ladies, alongside Tune Quickly-hee and Um Hee-ja, and stays the only energetic member right now. Their romance cartoons loved immense recognition amongst younger feminine readers within the late Sixties and early Seventies.
„Everybody, even little kids, has their very own worries. When somebody is hurting, a pal can empathize with their disappointment and when there’s pleasure and pleasure, they’ll share in that pleasure. That is what I believe love is. My romance cartoons have at all times instilled that heat sense of affection, which is what actually makes them romance cartoons,“ she stated.
Nevertheless, the Korea Kids’s Comics Self-Regulation Council, a pre-publication censorship authorities fashioned within the Sixties underneath the Park Chung-hee’s navy regime, wielded its energy underneath the guise of „deliberation“ and arbitrarily and crudely mutilated cartoons based mostly on subjective standards.
„Causes employed have been as absurd as ‚Skirts above the knee are unacceptable. They’re decadent,‘ ‚Trendy bangs are forbidden. They promote decadence and extravagance,‘ ‚No rings or earrings. They encourage a tradition of luxurious,‘ and even ‚Two individuals of the alternative intercourse in a single body are prohibited. They foster an immoral environment,'“ she recounted.
![[INTERVIEW] 82-year-old Anny Min defies age, draws romance cartoons 6 Anny Min's male character drawing (2024) / Courtesy of the artist](https://newsimg.koreatimes.co.kr/2025/03/11/66c55c4c-57a0-497e-bf0c-dea2ee9108d6.jpg)
Anny Min’s male character drawing (2024) / Courtesy of the artist
Witnessing their painstakingly crafted manuscripts mutilated, artists have been not capable of create freely. They confined themselves to plots and drawings that conformed to the committee’s dictates. The secure havens have been tales of virtuous women overcoming hardship or diversifications of overseas works, in accordance with Min.
Amid these restrictive occasions, her 1973 work „White Sailboat,“ a story of destiny-bound love between two younger ladies, was born. It depicts the love between Sook-ah, a woman who involves work as a maid in a rich family, and falls into an irresistible love with Ran-yi, the girl of the home, after consuming a mysterious potion.
Confronted with strict censorship that forbade depictions of heterosexual love, the cartoonist determined to sidestep the restrictions by portraying romance between ladies as an alternative. To her shock, it handed the censors and not using a hitch.
„They would not enable a male character to even seem as a background character behind a lady. However two ladies embracing and totally besotted with one another have been completely superb,“ she stated, laughing. „What did they know of queer relationships again then? I took benefit of their ignorance and gave them a bit of style of their very own drugs.“
After its rediscovery because the Korea’s first women‘ love (GL) comics from the Seventies, „White Sailboat“ skilled a renaissance by means of a profitable Tumblbug crowdfunding marketing campaign in 2023, introducing her pioneering work to up to date readers.
![[INTERVIEW] 82-year-old Anny Min defies age, draws romance cartoons 7 Anny Min's drawing of K-pop boy group BTS member Jimin (2023) / Courtesy of the artist](https://newsimg.koreatimes.co.kr/2025/03/11/aa2dfd8d-7c9e-4374-8b31-1047cadc54ba.jpg)
Anny Min’s drawing of Ok-pop boy group BTS member Jimin (2023) / Courtesy of the artist
Innovation continues
Ranging from the late Seventies, a flood of Japanese cartoons, depicting all the things from irregular psychology to intricate romantic entanglements, poured into Korea by means of clandestine channels. In the meantime, the Korean cartoon business, stifled by censorship, stagnated. The Eighties noticed Korean romance cartoons closely influenced by Japanese manga kinds, with a generational shift led by artists like Shin Il-sook and Kim Jin.
Amid these shifts, Min performed a pivotal function in nurturing the second era of Korean comics artists whereas persevering with her personal prolific work, spanning instructional and biblical cartoons.
Min says her happiest moments are nonetheless these spent drawing. After retiring from a protracted profession as an expert cartoonist, she continued pursuing artwork as a private pastime. Noticing her enduring ardour, her daughter — a superb arts graduate — determined to share Min’s pleasure with the world by launching the „Senior Cartoonist Anny Min’s Drawing Channel“ on YouTube. Just lately, a few of Min’s iconic characters have discovered new recognition as KakaoTalk emoticons.
„I am so thrilled to reconnect with my outdated readers by means of YouTube. A grape farm proprietor even despatched me grapes, saying he used to like my drawings when he was in elementary college. One other fan advised me that she majored in artwork due to me,“ she stated.
„I am additionally delighted by the requests from younger individuals to attract their ‚favourite‘ characters. Drawing BTS, NewJeans and (digital group) Isegye Idol has introduced me a lot pleasure as effectively.“
![[INTERVIEW] 82-year-old Anny Min defies age, draws romance cartoons 8 KakaoTalk emoticon set featuring Anny Min's drawings / Captured from the artist's Instagram](https://newsimg.koreatimes.co.kr/2025/03/11/3c547e10-d226-493c-b1bb-70fd06abb3df.jpg)
KakaoTalk emoticon set that includes Anny Min’s drawings / Captured from the artist’s Instagram